Criticism of T. S. Eliots Journey of the Magi suggests that the images of reputation and conversion are vocalization of the equivocalness of the world. The images of nature are at times beautiful--as in the ample v totallyeys and running streams--but are too forbidding and dark in other portions of the poetry. Images of conversion are also both coercive and negative, as they are intended to occupy a comprehend of hope and uncertainty--just as conversion had unexpended an enigmatic timbre in Eliots own life. Sean Lucy, in T. S. Eliot and the bringing close together of Tradition, suggests that Journey of the Magi is a poem about the unclear nature of conversion. Reading the poem in the context of other ghostlike poems, Lucy suggests that Journey of the Magi, A Song for Simeon and Animula . . . are all poems of the Christian perspective, they are all poems of acceptance and of resignation to a bunch which is the only thinkable answer, but which seems to the protagonists, as human beings, virtually impossibly unattackable and painful. They are purgatorial poems. (145) Here, Lucy uses acceptance in the same execration as hard, painful, and resignation to demonstrate the grayness of the world.
Nothing is slow and white; even the glory of the stock of Christ may have negative consequences to some tribe: The Magi and A Song for Simeon direct little of that high joy which the give up of Our Lord nookie often inspire even in the most complete(a) artists (148). The Magi dont scent any of that high joy because their pleasant place in the world has been changed and they no longer feel at peace. Leonard Unger discusses Journey of the Magi in detail twic e in his nurse T. S. Eliot: Moments and Pat! terns, both times in reference to the nature... If you wish to stick out a full essay, order it on our website:
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